Katy Siegel is a professor of art history at Hunter College in New York, editor in chief of Art Journal, and a contributing editor to Artforum. She has authored numerous essays on modern and contemporary artists, such as Paul Pfeiffer, Takashi Murakami, Lisa Yuskavage, Bernard Frize, and Mark Bradford. She was the curator of High Times, Hard Times: New York Painting, 1967–1975, and is currently at work on a large, historical painting exhibition for the Wexner Center in 2013. Her most recent books include Since ’45: America and the Making of Contemporary Art, published this spring; and Abstract Expressionism, due out this fall.
Michael Auping, chief curator at the Modern Art Museum of Fort Worth, presents Los Angeles: Light and Space at Land’s Edge, focusing on the unique qualities of light in Southern California and how those qualities have inspired painters, sculptors, and installation artists for decades. What began as painterly replications of light—both abstract (Richard Diebenkorn, John McLaughlin) and representational (Ed Ruscha and Vija Celmins)—evolved into architectural investigations of the phenomenology of light (Robert Irwin, Maria Nordman, and Bruce Nauman).
Koki Tanaka, born in Tochigi, Japan, is an artist living in Los Angeles, California. For Tuesday Evenings, he presents the development of his playful and insubordinate art that, as he describes in an interview with Akiko Miki, a curator at Palais de Tokyo, has moved from an interest in “how the exhibition is structured to the ordinary process of making of the work, to how the content is developed.”
David Pagel, curator, art critic, and associate professor of art at Claremont University in Claremont, California, presents Getting It Wrong in Just the Right Way: Diebenkorn's West Coastism, addressing the various ways some prominent California artists, including Richard Diebenkorn, have been out of step with prevailing trends and tendencies, often doing things wrong to get their art right.
Julie VandenBerg Snow, FAIA, here as the lead juror for the Forth Worth AIA annual Design Awards, presents her thoughts on architecture today and how those ideas relate to the designs and buildings produced by her “studio-based, project-driven” practice, Julie Snow Architects Inc.
Dr. Frances Colpitt, art critic, corresponding editor to Art in America, and holder of the Deedie Potter Rose Chair of Art History at Texas Christian University, presents the problems of abstract painting in the postmodern/electronic age in her Tuesday Evenings lecture, Problems and Possibilities for Abstract Painting in Postmodernism.
Jayson Musson is an artist and writer living and working in Philadelphia, Pennsylvania. For Tuesday Evenings, he shares his multifaceted body of work, which includes provocative performances, drawings, and writings, as well as Art Thoughtz by his “cousin” Hennessey Youngman.
Gretchen Diebenkorn Grant, daughter of Richard Diebenkorn, shares her insights and thoughts on the life and art of her father on the occasion of Richard Diebenkorn: The Ocean Park Series, the most comprehensive show to date of Diebenkorn’s celebrated works, the Ocean park paintings.
Alejandro Cesarco, born in Montevideo, Uruguay, is an artist living and working in New York. For Tuesday Evenings, he presents his work as seen in the Uruguay Pavilion at the 54thVenice Biennale, as well as his curatorial endeavors in Uruguay, the United States, and Argentina.
Sean Dockray, artist, writer, and founding director of Telic Arts Exchange in Los Angeles, California, has initiated critical and innovative projects, including The Public School and AAAARG.ORG. For Tuesday Evenings, he presents Exhibitability, a reflection on the sometimes destructive threshold he observed while running an art space as well as his own queries on alternatives to the exhibition model.