Koki Tanaka, born in Tochigi, Japan, is an artist living in Los Angeles, California. For Tuesday Evenings, he presents the development of his playful and insubordinate art that, as he describes in an interview with Akiko Miki, a curator at Palais de Tokyo, has moved from an interest in “how the exhibition is structured to the ordinary process of making of the work, to how the content is developed.”

 

David Pagel, curator, art critic, and associate professor of art at Claremont University in Claremont, California, presents Getting It Wrong in Just the Right Way: Diebenkorn's West Coastism, addressing the various ways some prominent California artists, including Richard Diebenkorn, have been out of step with prevailing trends and tendencies, often doing things wrong to get their art right.

Julie VandenBerg Snow, FAIA, here as the lead juror for the Forth Worth AIA annual Design Awards, presents her thoughts on architecture today and how those ideas relate to the designs and buildings produced by her “studio-based, project-driven” practice, Julie Snow Architects Inc.

Dr. Frances Colpitt, art critic, corresponding editor to Art in America, and holder of the Deedie Potter Rose Chair of Art History at Texas Christian University, presents the problems of abstract painting in the postmodern/electronic age in her Tuesday Evenings lecture, Problems and Possibilities for Abstract Painting in Postmodernism.

 

Jayson Musson is an artist and writer living and working in Philadelphia, Pennsylvania. For Tuesday Evenings, he shares his multifaceted body of work, which includes provocative performances, drawings, and writings, as well as Art Thoughtz by his “cousin” Hennessey Youngman.

Gretchen Diebenkorn Grant, daughter of Richard Diebenkorn, shares her insights and thoughts on the life and art of her father on the occasion of Richard Diebenkorn: The Ocean Park Series, the most comprehensive show to date of Diebenkorn’s celebrated works, the Ocean park paintings.

Alejandro Cesarco, born in Montevideo, Uruguay, is an artist living and working in New York. For Tuesday Evenings, he presents his work as seen in the Uruguay Pavilion at the 54thVenice Biennale, as well as his curatorial endeavors in Uruguay, the United States, and Argentina.

 

Sean Dockray, artist, writer, and founding director of Telic Arts Exchange in Los Angeles, California, has initiated critical and innovative projects, including The Public School and AAAARG.ORG. For Tuesday Evenings, he presents Exhibitability, a reflection on the sometimes destructive threshold he observed while running an art space as well as his own queries on alternatives to the exhibition model.

 

Dan Cameron is a renowned contemporary art curator known for his enthusiasm and activism, having founded and currently serving as the Artistic Director of U.S. Biennial, which organizes the Prospect New Orleans biennial and related exhibitions. Prospect 1 was a post Katrina effort that received critical acclaim and notoriety for its quality and outreach and Prospect 2 is scheduled for fall 2011. Among other positions, Cameron served for eleven years as Senior Curator of the New Museum in New York, was the Artistic Director for the 8th Istanbul Biennial and co-organizer of the 2006 Taipei Biennial, indicating the breadth and depth of his perspective and expectations of contemporary art. For Tuesday Evenings Cameron talks about how contemporary art can help restore a city's self-image following a major catastrophe, and in the case of a city as heavily dependent on tourism as New Orleans, provide an important economic boost through a cultural sector that has never been looked to in the past for economic development in his presentation Reclaiming a City through Art.

Simon Lee, a British artist living in Brooklyn, is known for his thoughtful presentations of light projection and the resulting narratives that grow from found imagery and common objects or occurrences in his stunning films, photographs, and performances. For Tuesday Evenings, Lee joins accomplished musician Algis Kizys for a screening of their recently produced Where is the Black Beast?, a spell-binding, episodic film based on CROW: The Life and Songs of the Crow, by poet Ted Hughe, as well as some of Lee’s other works and collaborations with Kizys. A 30-minute Q&A will follow the screenings and presentation, giving the audience an opportunity to inquire about the conceptual and practical processes that produced such compelling work.

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