Jill Magid, a New York-based artist and writer, seeks platforms for working inside and outside of institutions, responding to their imposition, negotiation, and at times, capitulation of power. For Magid, this power is not a remote condition to contest, but rather something to manipulate by drawing it closer, exploiting its loopholes, engaging it in dialogue, seducing its agents, revealing its sources, infiltrating its structure, and repeating its logic. As an artist and writer, Magid is fascinated by the topics of hidden information; being public as a condition for existence; and intimacy in relation to power. With solo exhibitions at institutions around the world, including Tate Modern, London; Whitney Museum of American Art, New York; Berkeley Museum of Art, California; Tate Liverpool; the Stedelijk Museum Bureau Amsterdam; Yvon Lambert, Paris and New York; Gagosian Gallery, New York; the Centre d’Art Santa Mònica, Barcelona; and at the Security and Intelligence Agency of the Netherlands, Magid has been recognized with awards such as the Basis Stipendium from Fonds Voor Beeldende Kunsten in the Netherlands and the Netherland-America Foundation Fulbright Fellowship. She is also the author of four books, including Becoming Tarden, which opens with, “The secret itself is much more beautiful than its revelation.” In accordance with Magid’s proclivity for intrigue, this book is as mysterious as the project it is associated with, which included the book being edited, censored, and its contents confiscated by the Dutch Secret Service, and a one-time-only exhibition of the novel at Tate Modern last fall.
For Tuesday Evenings, Magid presents Jill Magid: Embedded, a survey of the artist’s career with insights into her strange and thrilling experiences and endeavors as an artist, including her next project, Failed States, at Arthouse and AMOA in Austin, which is also the subject of Magid’s fourth and upcoming book by the same title.
For more information about Jill Magid, visit www.jillmagid.net.