Harlan Jacobson’s Talk Cinema features sneak previews of highly acclaimed foreign and independent films. Co-hosted this fall by Tearlach Hutcheson, professor at SMU and Director of Marketing for the Movie Studio Grills, the series encourages discussion among audience members, offering the added bonus of seeing great new films from festivals around the world before they hit theaters. The films vary in nationality and scope, and titles are kept a surprise until the screening. Coffee will be served at 10:30 am.
Harlan Jacobson's Talk Cinema
From Up on Poppy Hill
May 17, 2013 -
May 19, 2013
Friday 6 and 8 pm; Saturday 5 pm; Sunday no noon showtime, 2 pm, and 4 pm
May 17, 2013 -
May 19, 2013
Friday 6 and 8 pm; Saturday 5 pm; Sunday no noon showtime, 2 pm, and 4 pm
At Any Price
May 24, 2013 -
May 26, 2013
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
May 24, 2013 -
May 26, 2013
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
May 24, 2013 -
May 26, 2013
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
May 24, 2013 -
May 26, 2013
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
May 24, 2013 -
May 26, 2013
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
May 24, 2013 -
May 26, 2013
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
In the House
May 31, 2013 -
Jun 02, 2013
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
May 31, 2013 -
Jun 02, 2013
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
May 31, 2013 -
Jun 02, 2013
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
May 31, 2013 -
Jun 02, 2013
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
May 31, 2013 -
Jun 02, 2013
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
May 31, 2013 -
Jun 02, 2013
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
A Class Apart and The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
Jun 06, 2013 -
Jun 06, 2013
Love Is All You Need
Jun 07, 2013 -
Jun 09, 2013
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Jun 07, 2013 -
Jun 09, 2013
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Jun 07, 2013 -
Jun 09, 2013
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Jun 07, 2013 -
Jun 09, 2013
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Jun 07, 2013 -
Jun 09, 2013
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Jun 07, 2013 -
Jun 09, 2013
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Fordson: Faith, Fasting and Football
Sep 05, 2013 -
Sep 05, 2013
Fordson: Faith, Fasting and Football — 2011, NR, 92 minutes. This film follows a high school football team from the working-class Detroit suburb of Dearborn, Mich. — home to the largest Arab-American community in the country — as they practice for their big cross-town rivalry game during the last ten days of Ramadan.
Inocente
Dec 07, 2013 -
Dec 07, 2013
The Harvest/La Cosecha
Dec 07, 2013 -
Dec 07, 2013
God Grew Tired of Us
Dec 07, 2013 -
Dec 07, 2013
