“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language

“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles

“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles

Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm

Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm

“Honoring all that was memorable about its forebears [Before Sunrise and Before Sunset] while taking the story to new depths of catharsis, Before Midnight stands as a unique and uniquely satisfying entry in what has shaped up to be an outstanding screen trilogy.” Justin Chang, Variety. We meet Jesse and Celine (Ethan Hawke and Julie Delpy) nine years on in Greece. Almost two decades have passed since their first meeting on that train bound for Vienna.
108 minutes

“Honoring all that was memorable about its forebears [Before Sunrise and Before Sunset] while taking the story to new depths of catharsis, Before Midnight stands as a unique and uniquely satisfying entry in what has shaped up to be an outstanding screen trilogy.” Justin Chang, Variety. We meet Jesse and Celine (Ethan Hawke and Julie Delpy) nine years on in Greece. Almost two decades have passed since their first meeting on that train bound for Vienna.
108 minutes

Friday 6 pm and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm and 4:15 pm.

A young Pakistani man chases corporate success on Wall Street. He finds himself embroiled in a conflict between his American dream, a hostage crisis, and the enduring call of his family's homeland.

130 minutes; R

Friday 6 pm and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm and 4:15 pm.

A young Pakistani man chases corporate success on Wall Street. He finds himself embroiled in a conflict between his American dream, a hostage crisis, and the enduring call of his family's homeland.

130 minutes; R

Set on the French Riviera in the summer of 1915, Jean Renoir—son of Impressionist painter Pierre-Auguste—returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.

111 minutes; R; French with English subtitles

Set on the French Riviera in the summer of 1915, Jean Renoir—son of Impressionist painter Pierre-Auguste—returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.

111 minutes; R; French with English subtitles

“Not just a charming and accomplished first film, Fill the Void qualifies as one of [the Venice Film Festival’s] most exotic competition entries, throwing open a window on the world of an Orthodox Hassidic family in Tel Aviv.” Deborah Young, The Hollywood Reporter. A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hassidic community.
90 minutes; PG; Hebrew with English subtitles

“Not just a charming and accomplished first film, Fill the Void qualifies as one of [the Venice Film Festival’s] most exotic competition entries, throwing open a window on the world of an Orthodox Hassidic family in Tel Aviv.” Deborah Young, The Hollywood Reporter. A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hassidic community.
90 minutes; PG; Hebrew with English subtitles

“The film is a mystery uncovered like a detective story, wrapped in a love letter.” Joe Neumaier, New York Daily News. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
108 minutes; PG-13

“The film is a mystery uncovered like a detective story, wrapped in a love letter.” Joe Neumaier, New York Daily News. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
108 minutes; PG-13

“With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.” Pete Vonder Haar, The Village Voice.
76 minutes; French with English subtitles

“With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.” Pete Vonder Haar, The Village Voice.
76 minutes; French with English subtitles