1968
Larry Bell
American, born 1939

Glass and chrome
12 1/8 x 12 1/8 x 12 1/4 inches

Larry Bell's glass cube manifests the "less is more" aesthetic that drove much twentieth-century geometric abstraction. Reducing compositional elements to a minimum is, however, a risky artistic endeavor; viewers often find the work simplistic, without visual interest, and nothing more than a modernist joke. Artists, on the other hand, have conceived reductivism as a means to distill form to a purer essence, to focus on a medium’s constituent elements, and to produce a distraction-free work that can induce a contemplative, even spiritual, attitude. As Larry Bell's Untitled, 1968,...

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